{"id":533,"date":"2005-11-09T22:52:23","date_gmt":"2005-11-09T17:22:23","guid":{"rendered":"http:\/\/tao.kaoart.info\/?p=171"},"modified":"2005-11-09T22:52:23","modified_gmt":"2005-11-09T17:22:23","slug":"%e7%bd%97%e5%a1%94%e2%80%a2%e9%9b%b7%e5%be%b7%e6%b4%9b%e6%96%aflothar-ledderose","status":"publish","type":"post","link":"https:\/\/tao0.date\/?p=533","title":{"rendered":"\u7f57\u5854\u2022\u96f7\u5fb7\u6d1b\u65afLothar Ledderose"},"content":{"rendered":"<p>\u6d77\u5fb7\u5821\u5927\u5b66\u6559\u6388\u3001\u8457\u540d\u7684\u4e1c\u4e9a\u827a\u672f\u53f2\u5b66\u5bb6\u7f57\u5854\u2022\u96f7\u5fb7\u6d1b\u65af\uff08Lothar Ledderose\uff09\u5c06\u524d\u5f80\u745e\u58eb\u4f2f\u5c14\u5c3c\u9886\u53d6\u7d20\u6709\u4eba\u6587\u754c\u8bfa\u8d1d\u5c14\u4e4b\u79f0\u7684\u5df4\u5c14\u8d5e\u5927\u5956\uff08Balzan-Preis\uff09\u3002\u8fd9\u4f4d63\u5c81\u7684\u4e1c\u4e9a\u6587\u5316\u4e13\u5bb6\u5c06\u56e0\u6b64\u800c\u83b7\u5f97100\u4e07\u745e\u58eb\u6cd5\u90ce\uff08\u5408 66\u4e07\u6b27\u5143\uff09\u7684\u5956\u91d1\u5566\u3002<br \/>\nForschungsschwerpunkte<br \/>\nModul und Serienproduktion in der chinesischen Kunst<br \/>\nTitel (engl.): Module and serial production in Chinese art<br \/>\nLeiter: Prof.Dr. Lothar Ledderose, Tel: (06221) 542352<br \/>\nProjektbeginn: &#8211;<br \/>\nProjektende: &#8211;<br \/>\nAbstract (engl.): The research project starts from the observation that hightech products have been made on a massive scale in China since ancient times. This concerns porcellain,lacquer, bronze casting, silk weaving, timber frame architecture and prints. Ineach of these fields the Chinese worked out systems which allowed them to assemble a single product by combining prefabricated modules which could be made in large numbers. They also organised factory style production, in which division of labor and quality control became indispensable factors.<br \/>\nKurzbeschreibung (und ggfls. Methoden): Der Ausgangspunkt des Forschungsprojekts ist die Beobachtung, da\u00df in China seit alters her high-tech Produkte serienweise hergestellt werden konnten. Das betrifft Porzellane, Lacke, Bronzeguss, Seidenstoffe, Holzarchitektur, Druckkunst. Die Chinesen erarbeiteten dazu jeweils Systeme, die es erlauben, die Produkte aus vorfabrizierten, in grossen Mengen hergestellten Teilst\u00fccken, d.h. aus Modulen zusammenzusetzen. Auch organisierten sie fabrikm\u00e4\u00dfige Produktionsabl\u00e4ufe, in denen Arbeitsteilung und Qualit\u00e4tskontrolle wichtige Faktoren waren.<br \/>\nVer\u00f6ffentlichungen: Modul und Serie in der chinesischen Kunst. Jahrbuch der Heidelberger Akademie der Wissenschaften fuer 1989, Heidelberg 1990, 72-74.<br \/>\nMassen und Module. Unispiegel, 23. Jhrg. (1994.1) Heidelberg 3-4.<br \/>\nZimu yu daliang shengchan (Module and mass production). International colloquium on Chinese art History 1991. Proceedings. Taibei, part 2, 821-847.<br \/>\nChinesische Bilder in Berlin<br \/>\nTitel (engl.): Chinese paintings in Berlin<br \/>\nLeiter: Prof.Dr. Lothar Ledderose, Tel: (06221) 542352<br \/>\nProjektbeginn: 01.10.1976<br \/>\nProjektende: 29.02.1996<br \/>\nAbstract (engl.): The Museum of East Asian Art in Berlin owns one of the best collections of Chinese painting in Europe. The catalogue will treat all paintings than the museum from1906, when collecting began, down to 1985. Also included will be works, that today are considered to be copies or forgeries. This is done in order to demontrate the development in the study of Chinese painting in the last dekades. All inscriptions by artists and collectors will be translated, all seals will be transcribed. An appendix will contain all Chinese texts.<br \/>\nKurzbeschreibung (und ggfls. Methoden): Das Museum fuer Ostasiatische Kunst besitzt eine der besten Sammlungen chnesicher Malerei in Europa. In dem Katalogwerden alle Bilder behandelt, die von 1906, dem Beginn der Sammlungst\u00e4tigkeit bis 1989 erworben wurden. Dazu geh\u00f6ren aus wissenschaftsgeschichtlichem Interesse auch solche Werke, die heute als Kopien und Faelschungen gelten. Alle Inschriften von Kuenstlern und Sammlern werden \u00fcberstzt, alle K\u00fcnstler- und Sammlersiegel werden gelesen. Ein Anhang enth\u00e4lt alle chinesischen Texte.<br \/>\nVer\u00f6ffentlichungen: Bolin shoucang de Zhongguo huihua (Berlin sammelt chinesische Malerei). The National Palace Museum Research Quarterly 11.3 (1994), S.1-26;<br \/>\nGuanyu Kangxi shi huajia Shen Cang de vixie wenti. (Einige Bemerkungen ueber den Maler Shen Cang aus der Kangxi-Zeit): Liaohai wenwu xuekan 7 (1989.1) , S. 353-357;<br \/>\nReisebilder der Beamtenmaler. Merian 39.3, (Maerz, 1986) 128-141;<br \/>\nDas Aroma der Fl\u00fcsse Yuan und Li. Ptak\/Englert (Hsgr), Ganz Allm\u00e4hlich. Heidelberg, 1986, S.146-164;<br \/>\nMachang durchbricht die feindlichen Linien. Peter Wapnewski (Hsgr), Jahrbuch des Wissenschaftskollegs zu Berlin 1983\/84. Berlin, 1985, 181-193<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u6d77\u5fb7\u5821\u5927\u5b66\u6559\u6388\u3001\u8457\u540d\u7684\u4e1c\u4e9a\u827a\u672f\u53f2\u5b66\u5bb6\u7f57\u5854\u2022\u96f7\u5fb7\u6d1b\u65af\uff08Lothar Ledderose\uff09\u5c06\u524d\u5f80\u745e\u58eb\u4f2f\u5c14\u5c3c\u9886\u53d6\u7d20\u6709\u4eba\u6587\u754c\u8bfa\u8d1d\u5c14\u4e4b\u79f0\u7684\u5df4\u5c14\u8d5e\u5927\u5956\uff08Balzan-Preis\uff09\u3002\u8fd9\u4f4d63\u5c81\u7684\u4e1c\u4e9a\u6587\u5316\u4e13\u5bb6\u5c06\u56e0\u6b64\u800c\u83b7\u5f97100\u4e07\u745e\u58eb\u6cd5\u90ce\uff08\u5408 66\u4e07\u6b27\u5143\uff09\u7684\u5956\u91d1<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-533","post","type-post","status-publish","format-standard","hentry","category-contemporary-art"],"_links":{"self":[{"href":"https:\/\/tao0.date\/index.php?rest_route=\/wp\/v2\/posts\/533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tao0.date\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tao0.date\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tao0.date\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tao0.date\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=533"}],"version-history":[{"count":0,"href":"https:\/\/tao0.date\/index.php?rest_route=\/wp\/v2\/posts\/533\/revisions"}],"wp:attachment":[{"href":"https:\/\/tao0.date\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tao0.date\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tao0.date\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}